Submissions from 2022
COVID Comfort: Food Advertising, Family, and Unity During a Pandemic, Debbie Danowski
Necessary Connections, Bill Yousman
Submissions from 2021
Introduction, Haunted by Vertigo, Sidney Gottlieb
The Variety of Gazes in Vertigo, Sidney Gottlieb
Haunted by Vertigo: Hitchcock's Masterpiece Then and Now, Sidney Gottlieb ed. and Donal Martin ed.
Dwelling in Revolutionary Intimacies: Performing Mentoring and/as Reflexivity, Liliana Herakova and Mark Congdon Jr.
Submissions from 2020
Exploring the History and Implications of Toxicity through St. Louis: Performance Artist Allana Ross and the “Toxic Mound Tours”, Rachel E. Bauer and Kristen M. Kalz
Good Girls Go Bad: The Transformation of Young Femininity in Contemporary Teen TV, Lori Bindig Yousman
Mobilizing a Critical Universal Design for Learning Framework for Justice Minded Course Design and Assessment, Allison D. Brenneise and Mark Congdon Jr.
Envisioning Critical Social Entrepreneurship Education: Possibilities, Questions, and Guiding Commitments, Mark Congdon Jr. and Liliana Herakova
Environmental Injustice: Examining How The New York Times Frames the Flint Water Crisis, Mark Congdon Jr., Quang Ngo, and Evan Young
Under Capricorn and the Hitchcockian Melodrama of Trauma, Recovery, and Remarriage, Sidney Gottlieb
Gender, Race, and Class in Media : A Critical Reader, Bill Yousman ed., Lori Bindig Yousman ed., Gail Dines ed., and Jean M. Humez ed.
Submissions from 2019
Fake News is Old News: The Blurry Boundaries between Journalism and Public Relations, Lori Bindig
“I am not alone”: The Additional Benefits of Critical Media Literacy, Lori Bindig
Bet You Can’t Eat Just One: Binge Eating Disorder Promotion In American Food Advertising, Debbie Danowski
“No Strings Attached”: A Qualitative Exploration of Gay and Bisexual Men’s Motivations For and Attitudes Toward Engaging in Casual Sex While on Vacation, Candace Parrish, Rowena Winkler, David Wyatt Seal, Eric G. Benotsch, Steven D. Pinkerton, Jean Redmann, Josh Fegley, Salvatore Seeley, Derrick L. Traylor, Marisa Green, and Anna Cejka
Stuart Hall and the Intellectual Roots of Critical Media Literacy: A Personal Reflection, Bill Yousman
Submissions from 2018
Amusing Ourselves to Death...Literally: Youth, Moral Panics and Critical Media Literacy, Lori Bindig
Dawson's Creek: All Good Things...Must Come to an End, Lori Bindig Yousman
Gender, Race, and Class in Media : A Critical Reader, Gail Dines ed., Jean M. Humez ed., Bill Yousman ed., and Lori Bindig ed.
If a Tree Falls - A Media Literacy Lesson in the Power of Omission: The Unfinished Business of Agent Orange in Vietnam and US "Mediamnesia", Thomas N. Gardner, Bill Yousman, and Julie Frechette
Introduction: The Totality of Orson Welles, James N. Gilmore and Sidney Gottlieb
Orson Welles in Focus: Texts and Contexts, James N. Gilmore ed. and Sidney Gottlieb ed.
Orson Welles as Journalist: The New York Post Columns, Sidney Gottlieb
"[In]justice Rolls Down Like Water..." Challenging White Supremacy in Media Constructions of Crime and Punishment, Bill Yousman
Oz: "Exeunt Omnes", Bill Yousman
Vampires, Amazon.com, and Other Creatures You Should Never Invite Into Your Home: The Neoliberal Invasion Grows Even Bolder, Bill Yousman
Submissions from 2017
The Challenges and Rewards of Critical Media Literacy in the Age of the Neoliberal University, Lori Bindig
Arc of Research and Central Issues in Media Literacy Education, Belinha S. De Abreu, Paul Mihailidis, Alice Y. L. Lee, Jad Melki, and Julian McDougall
International Handbook of Media Literacy Education, Belinha S. De Abreu ed., Paul Mihailidis ed., Alice Y. L. Lee ed., Jad Melki ed., and Julian McDougall ed.
Hitchcock the Amoralist: Rear Window and the Pleasures and Dangers of Looking, Sidney Gottlieb
The Therapeutic Power of Music in Hitchcock’s Films, Sidney Gottlieb
Podcast Comedy and ‘Authentic Outsiders’: How New Media is Challenging the Owners of Industry, Alex Symons
BLM and CML: Is There A Connection?, Bill Yousman
Submissions from 2016
Back to School: Media Literacy, Graduate Education, and the Digital age, Lori Bindig
The Modern Entertainment Marketplace, 2000- Present, James Castonguay
Who's Afraid of Critical Media Literacy?, Bill Yousman
Submissions from 2015
Gossip Girl: A Critical Understanding, Lori Bindig
Fictions of Terror: Complexity, Complicity and Insecurity in Homeland, James Castonguay
Bringing Hitchcock/Truffaut to the Screen: An Interview with Kent Jones, Sidney Gottlieb
Hitchcock on Hitchcock: Selected Writings and Interviews, Volume 2, Sidney Gottlieb ed.
One Size Doesn't Fit All: New Continua of Figure Drawings and Their Relation to Ideal Body Image, Jocelyn Novella, Jennifer T. Gosselin, and Debbie Danowski
The Fire This Time: Ta-Nehisi Coates’s “Between the World and Me”, Bill Yousman
Submissions from 2014
Should I Really Kill My Television?: Negotiating Common Ground Among Media Literacy Scholars, Educators, and Activists, Lori Bindig and James Castonguay
Choosing a Master's Degree Program in Piano Pedagogy, Angela Meyers
Asta the Screwball Dog: Hollywood's Canine Sidekick, Sara Ross and James Castonguay
The Spike Lee Enigma: Challenges and Incorporation in Media Culture, Bill Yousman
Submissions from 2013
Media Literacy in Eating Disorder Treatment (2.3), Lori Bindig
The O.C.: A Critical Understanding, Lori Bindig and Andrea M. Bergstrom
Why Can't My Child Stop Eating?: A Guide to Helping Your Child Overcome Emotional Overeating, Debbie Danowski
Hitchcock on Truffaut, Sidney Gottlieb
The O'Kalem Collection: 1910-1915 (2011), Sara Ross
The Problem of "High Culture" Comedy: How Annie Hall (1977) Complicated Woody Allen's Reputation, Alex Symons
Challenging the Media-Incarceration Complex Through Media Education, Bill Yousman
Revisiting Hall's Encoding/Decoding Model: Ex-Prisoners Respond to Television Representations of Incarceration, Bill Yousman
Submissions from 2012
Scott, Ian. American Politics in Hollywood Film (Book Review), James Castonguay
Pirates on Dinosaur Island, Mark Edwards
Brand Hitchcock, Sidney Gottlieb
Invitation to the Voyage: The Flight Sequence in Contemporary 3D Cinema, Sara Ross
Submissions from 2011
Myrna Loy and William Powell: The Perfect Screen Couple, James Castonguay
Re‐energize Your Career from the Inside Out, Debbie Danowski
Ladies in Hats, Mark Edwards
Hitchcock and The three Pleasure Gardens, Sidney Gottlieb
Hitchcock's Silent Cinema, Sidney Gottlieb
Submissions from 2010
American Cars: Patriotic Consumption After September 11th, Lori Bindig and M. Bosau
Branding America: Patriotic Products and Consumerism After September 11th, Lori Bindig and M. Bosau
The American Dream Goes to College: The Cinematic Student Athletes of College Football, Andrew Miller
Review: Karen Ward Mahar (2008): Women Filmmakers in Early Hollywood, Sara Ross
Screening the Modern Girl: Intermediality in the Adaptation of Flaming Youth, Sara Ross
Coercive Environments (Book Review), Bill Yousman
Submissions from 2009
1922: Movies and the Perilous Future, Sara Ross
Submissions from 2008
Dawson's Creek: A Critical Understanding, Lori Bindig
Global Media, Communication Technology, and the War on Terror, James Castonguay
Cover to Cover: Contemporary Issues in Popular Women’s Magazines, Debbie Danowski
Prime Time Prisons on U.S. TV: Representation of Incarceration, Bill Yousman
Submissions from 2007
The Emotional Eater's Book of Inspiration: 90 Truths You Need to Know to Overcome Your Food Addiction, Debbie Danowski
Alfred Hitchcock’s Rear Window: The Pleasures and Dangers of Looking, Sidney Gottlieb
Hitchcock Interviewed in Filmindia, Sidney Gottlieb
Winning It All: The Cinematic Construction of the Athletic American Dream, Andrew Miller
Submissions from 2006
Intermedia and the War on Terror, James Castonguay
The Spanish-American War in United States Media Culture, James Castonguay
Anyone? Anyone? Anyone? Leading Discussions in Cyberspace: E-Journals and Interactivity in Asynchronous Environments, Debbie Danowski
Hitchcock on Griffith, Sidney Gottlieb
Nicholas Haeffner, Alfred Hitchcock (Book Review), Sidney Gottlieb
Submissions from 2005
The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the New Woman, Sara Ross
Watching Daytime Soap Operas: The Power of Pleasure, Louise Spence
Our Semesters of Death: Resisting Authority and the Politics of Disruption, Sandra Young and Louise Spence
Submissions from 2004
In Focus: The Media and the New Cold War, Dennis Broe and Louise Spence
Conglomeration, New Media, and the Cultural Production of The "War on Terror", James Castonguay
The Political Economy of the Indie Blockbuster: Fandom, Intermediality, and The Blair Witch Project, James Castonguay
The Overeater's Journal: Exercises for the Heart, Mind, & Soul, Debbie Danowski
Introduction: Open City: Reappropriating the Old, Making the New, Sidney Gottlieb
Orson Welles: Interviews (Book review), Sidney Gottlieb
Roberto Rossellini's Rome Open City, Sidney Gottlieb ed.
Rossellini, Open City, and Neorealism, Sidney Gottlieb
Unknown Hitchcock: The Unrealized Projects, Sidney Gottlieb
In Focus: Teaching 9/11, Louise Spence
Teaching 9/11 and Why I'm Not Doing it Anymore, Louise Spence
