Submissions from 2023
Media Flow in the Global South: A Multi-Modal Critical Discourse Analysis of Al Jazeera’s My Nigeria, Ololade Afolabi
Rebuilding Old Empire: BBC and Indigenous Language Broadcasting in Nigeria, Ololade Afolabi
Chapter 18: It’s Okay to Not be "Right": Incorporating Creative Thinking into Theatrical Partnerships, Rachel E. Bauer
The Legacy, Liberation, and Limitations of Gender and Genre in Chilling Adventures of Sabrina, Lori Bindig Yousman
Opening the Doorway: Disability Accommodation Letters as Entry to Critical Mutual Mentorship, Allison D. Brenneise and Mark Congdon Jr.
Perception Checking in Action: Critically Reflecting on Gendered Communication Within Workplace Interactions, Mark Congdon Jr. and Nicole C. Jackson
Eat French Fries and Be Healthy: The Fit Body as a Means of Promoting Fast Food, Debbie Danowski
Introduction: Shaping Dialogue Amid Broken Conversations, Belinha S. De Abreu
Media Literacy, Equity, and Justice, Belinha S. De Abreu ed.
Virtual Reality and the "Empathy Machine": Immersive Media Literacy and Social Justice Activism, Shanshan Wang, Candace Parrish, and James Castonguay
Submissions from 2022
Same Girl, Different Show: Representations of Young Femininity in Teen TV, Lori Bindig Yousman
COVID Comfort: Food Advertising, Family, and Unity During a Pandemic, Debbie Danowski
What’s for Breakfast? An Analysis of American Breakfast Food Advertisements and the Promotion of Binge Eating Disorder Behaviors, Debbie Danowski
Media Literacy for Justice: Lessons for Changing the World, Belinha S. De Abreu
Necessary Connections, Bill Yousman
Stuart Hall, Writings on Media: History of the Present, ed. Charlotte Brunsdon, Bill Yousman
Submissions from 2021
Good Girls Go Bad: The Transformation of Young Femininity in Contemporary Teen TV, Lori Bindig Yousman
“Usually People Just Accept Media and Don’t Talk About It”: The Perceived Value and Enjoyment of Critical Media Literacy in Eating Disorder Treatment, Lori Bindig Yousman
Introduction, Haunted by Vertigo, Sidney Gottlieb
The Variety of Gazes in Vertigo, Sidney Gottlieb
Haunted by Vertigo: Hitchcock's Masterpiece Then and Now, Sidney Gottlieb ed. and Donal Martin ed.
Dwelling in Revolutionary Intimacies: Performing Mentoring and/as Reflexivity, Liliana Herakova and Mark Congdon Jr.
Black Women and Black Men in Hip Hop Music: Misogyny, Violence, and the Negotiation of (White-Owned) Space, Guillermo Rebollo-Gil and Amanda Moras
"[In]Justice Rolls Down Like Water..." Challenging White Supremacy in Media Constructions of Crime and Punishment, Bill Yousman
Gender, Race, and Class in Media : A Critical Reader, Bill Yousman ed., Lori Bindig Yousman ed., Gail Dines ed., and Jean M. Humez ed.
Submissions from 2020
Exploring the History and Implications of Toxicity through St. Louis: Performance Artist Allana Ross and the “Toxic Mound Tours”, Rachel E. Bauer and Kristen M. Kalz
Good Girls Go Bad: The Transformation of Young Femininity in Contemporary Teen TV, Lori Bindig Yousman
Mobilizing a Critical Universal Design for Learning Framework for Justice Minded Course Design and Assessment, Allison D. Brenneise and Mark Congdon Jr.
Envisioning Critical Social Entrepreneurship Education: Possibilities, Questions, and Guiding Commitments, Mark Congdon Jr. and Liliana Herakova
Environmental Injustice: Examining How The New York Times Frames the Flint Water Crisis, Mark Congdon Jr., Quang Ngo, and Evan Young
Under Capricorn and the Hitchcockian Melodrama of Trauma, Recovery, and Remarriage, Sidney Gottlieb
Critical Media Literacy and Cultural Autonomy in a Mediated World, Bill Yousman and Lori Bindig Yousman
Submissions from 2019
Fake News is Old News: The Blurry Boundaries between Journalism and Public Relations, Lori Bindig
“I am not alone”: The Additional Benefits of Critical Media Literacy, Lori Bindig
Bet You Can’t Eat Just One: Binge Eating Disorder Promotion In American Food Advertising, Debbie Danowski
“No Strings Attached”: A Qualitative Exploration of Gay and Bisexual Men’s Motivations For and Attitudes Toward Engaging in Casual Sex While on Vacation, Candace Parrish, Rowena Winkler, David Wyatt Seal, Eric G. Benotsch, Steven D. Pinkerton, Jean Redmann, Josh Fegley, Salvatore Seeley, Derrick L. Traylor, Marisa Green, and Anna Cejka
Stuart Hall and the Intellectual Roots of Critical Media Literacy: A Personal Reflection, Bill Yousman
Submissions from 2018
Amusing Ourselves to Death...Literally: Youth, Moral Panics and Critical Media Literacy, Lori Bindig
Dawson's Creek: All Good Things...Must Come to an End, Lori Bindig Yousman
Gender, Race, and Class in Media : A Critical Reader, Gail Dines ed., Jean M. Humez ed., Bill Yousman ed., and Lori Bindig ed.
If a Tree Falls - A Media Literacy Lesson in the Power of Omission: The Unfinished Business of Agent Orange in Vietnam and US "Mediamnesia", Thomas N. Gardner, Bill Yousman, and Julie Frechette
Introduction: The Totality of Orson Welles, James N. Gilmore and Sidney Gottlieb
Orson Welles in Focus: Texts and Contexts, James N. Gilmore ed. and Sidney Gottlieb ed.
Orson Welles as Journalist: The New York Post Columns, Sidney Gottlieb
"[In]justice Rolls Down Like Water..." Challenging White Supremacy in Media Constructions of Crime and Punishment, Bill Yousman
Oz: "Exeunt Omnes", Bill Yousman
Vampires, Amazon.com, and Other Creatures You Should Never Invite Into Your Home: The Neoliberal Invasion Grows Even Bolder, Bill Yousman
Submissions from 2017
The Challenges and Rewards of Critical Media Literacy in the Age of the Neoliberal University, Lori Bindig
Critical Media Literacy in the Age of the Neoliberal University: Challenges, Strategies, and Rewards, Lori Bindig Yousman
Arc of Research and Central Issues in Media Literacy Education, Belinha S. De Abreu, Paul Mihailidis, Alice Y. L. Lee, Jad Melki, and Julian McDougall
